Early in October I took part in the Talleres de español at Instituto Español Vicente Cañada Blanch in Portobello, London. It was quite a treat to attend and participate in a face to face conference, and I thoroughly enjoyed the day in spite of the pouring rain and general exhaustion!
My presentation was entitled Take One Book, considering how one book can be used as the inspiration and impetus for a wide variety of activities in the primary language classroom. You can read a little about it and view my slides in a previous post.
When I was asked to speak, the organisers asked if I would be willing to write up my talk for publication in a special edition of TECLA, the Consejería magazine. I agreed and the magazine has just been published. I am really proud to be part of such a prestigious publication, and hope that it is well received and useful to readers.
Below is the first page and you can download the whole article below that.
Other contributions include an interview with Baroness Coussins, an article on using important artists as the vehicle for Spanish learning, and a report on using MFL projects to build bridges at QKA in Peterborough where 52 languages are spoken by the school community. The full list of articles is below. I’m looking forward to reading through the articles over the holidays when I have time to digest.
A couple of weeks ago, I saw a post on Instagram asking if anyone else wanted to volunteer for the next TM MFL Icons – 5 minutes or 20 minute presentations. A series of incidents in real life and on social media had put in a bee in my bonnet so I thought – why not? Hence I went online on Saturday morning and talked about the subject of children being withdrawn from (Spanish) lessons for extra English.
I had volunteered for 5 minutes thinking I might not have enough to fill it but I had more than enough because, as usual, once I start, my head fills with more ideas than I originally had. So here is what I said/intended to say!
My slide – the rule was one slide only!
My title, formulated at speed to encapsulate said bee in my bonnet, is provocative and makes me sound more bolshy than I am; however, I do believe that it’s wrong to ROUTINELY withdraw children from language lessons – in my case Spanish – for extra English/interventions. You hear the argument that these children can’t speak English and they can’t do English so why are they doing another language, and I just think there are lots of reasons why it’s not a good idea to routinely remove them from the Spanish lessons.
First of all, we do a lot of work where everybody is working together, where everybody is repeating things together, what everybody is learning together. There’s safety in that and when you’re struggling, having everybody doing the same thing at the same time can build up your confidence and can give you that little boost that you need to be able to give it a go. I always say to my class that I cannot ask for more if you are doing your best and if you’re still only managing to get 5 out 10 on your own, I can’t make you work any harder than you already are so that support from your peers is really important. It’s important that learners don’t feel “set apart” too. That feeling of comfort and of solidarity with your peers is really important, and not just for those that are low ability or SEND. We get quite a few pupils at one of my schools that come to us because they’ve been putting in housing in our area and they’re with us for a short period of time and then move on somewhere else. It’s important that they quickly feel comfortable and are part the class, and I think the language lesson is a time when they are with their peers, to use a cliche, on a level playing field. I think that’s because of the structure of Spanish lessons where there is a lot of recycling, reiterating, retrieving and going back over stuff that we done before so there is that moment when children think “oh hang on, I can fit into this; I can do this!” One child joined the school towards the end of last year and about three weeks in, his mum approached me in the playground at hometime and said “Oh, YOU’RE Señora Stevens! My child keeps talking about how much he loves your lessons. He’s so happy when he’s in your lesson!” That’s a special feeling and made me think how much he’d have missed if he’d been withdrawn to improve his English!
Secondly I think the level of support offered in language lessons through modelling, scaffolding and lots of rehearsing is important and so beneficial. We do a lot of practising; saying things all together, rehearsing it with a partner, we listen and respond. There’s a lot of that oral rehearsal before we start to read and then we write. We might use whiteboards to practise before we commit it to our book. All this rehearsal is great training and it can be applied in their English learning. All this is also building up their resilience as they make and correct mistakes, and their understanding of how to learn language whether it’s Spanish or whether it’s English.
Learning another language also shows that there is value in speaking languages other than English. Sometimes children who have English as an additional language and/or who speak another language at home feel that they want to hide that and I think it’s important that they know that other people speak different languages. I enjoy making comparisons between languages and bringing other languages into lessons. I have a couple of pupils who speak Italian and routinely share words so we can see similarities and differences. And learners love it when I try words in Urdu, Punjabi and Arabic as I find it hard to mimic their pronunciation. They may speak another language but their skills have value.
There are also many ways in which we are reinforcing and supporting English literacy as we are learning Spanish. When we talk about nouns and adjectives, verbs and so on, we are echoing the vocabulary of their literacy lessons. When I explain that months of the year in Spanish don’t have capital letters, it’s an opportunity to reinforce the rules of capitalisation in English, that we do put a capital letter for months of the year, and that a capital letter is needed at the start of a sentence in Spanish just as we do in English. When we look at word order in Spanish, we compare it to English. When we read aloud or practise conversations, we’re working on prosody (something that is high on the Primary English agenda at the moment) ensuring that we’re using expression to create the ‘music of the language’ In Spanish they helpfully put question marks at either end of the question, and exclamation marks too to enclose the words as a signal that this has to be exclaimed. I liken this to the way English uses speech marks to enclose words spoken – the ¿ ? even echo the 66 99 of ” “!
One of the ‘incidents’ that prompted my idea was a colleague on LiPS being asked to stop teaching French phonics as children were getting confused with their English phonics. There was a long discussion about this, and the prevailing view was that phonics should be taught. For a start they’re one of the pillars of primary language learning, and are vital to successful pronunciation, decoding and writing. A comment that stuck with me was ‘if your one session a week is having a detrimental effect on several years worth of English phonics teaching, you must be doing something very right and perhaps the English phonics teaching could learn something from you!’ Whilst that is playing Devil’s advocate, there is some truth in the support offered by comparing phoneme/grapheme links. As I teach Spanish, there are fewer ‘tricky sounds’ than in French, or English, but by focusing on how phonics are important to us when learning how to say words accurately, we’re drawing attention to the need to use phonics in English too, to ‘sound out’ unfamiliar words. I always talk about using our Spanish glasses when we’re looking at Spanish text, something which really came into its own when I had a native Spanish speaker in class as we talked about how she had to put on her English glasses to read English!
There’s a lot to be said for experiencing success. If children experience success, it builds their confidence. The more confident they feel, the more risks they’ll take. Initial success might be very small but they add up. As we do lots of repetition and work with a limited vocabulary, the ‘answer’ is often repeated in multiple versions so success is more accessible. Plus we take small steps rather than giant leaps which are less scary! In a previous session at TM MFL Icons, Jane talked about the importance of joy and I so agree! I often wonder what it must be like to spend your whole day struggling and striving without that feeling of success and contentment. Success breeds confidence, and if you know that success is attainable, you’re more motivated to make that extra effort. Learners may not experience that success in other areas of the curriculum and by taking children away for all or even part of the lesson, it denies them that opportunity. There are lots of anecdotes on LiPS that support this. From my experience, I’ve had a number of children who have had multiple issues in other areas of the curriculum but have taken to language learning to the extent that I’ve had to explain to the (disbelieving) class teacher that they have achieved some of the same targets as their peers.
I’m not suggesting that language learning and Spanish lessons are some magic panacea to all SEND/EAL/other needs. I have at least one pupil who doesn’t access any part of the lesson due to his specific needs (he accesses very little of the curriculum in general) and there are modifications that can be needed. However, many of these are Quality First teaching strategies and will benefit all – I know that changes I made following a FutureLearn MOOC on Dyslexia and Language Learning have had a positive effect on many of the class. Nor am I saying that Spanish is more important than English or any other subject. It is entirely possible that there is little choice in some cases as to the timing of sessions (due to TA timetables and so on.) However, I would welcome some thought to be given to when interventions are staged and their effect.
Have you got a point of view? Let me know in the comments!
I once more had the pleasure of presenting at Language World, the annual conference of Association for Language Learning (ALL). My presentation was entitled Take One Book and was the sequel to the presentation I did at PHOrum in November (you can read about it here) this time choosing a book that was originally written in Italian and has no English translation.
I really enjoyed sharing my ideas of how to use ¡Ojo Oso! and was pleasantly surprised that I managed to finish in time and have time for questions. I experimented with using subtitles/captions during my presentation after comments by Helen Simpson on LiPS made me think about accessibility. I need to watch back the recording of my session (which has just been made available for those who registered for the conference but missed the session) to see exactly how accurate they were but I know that when I spoke Spanish they definitely had trouble as they were set to English! For example un agujero became ‘all alcohol’ and una madriguera became ‘mother together.’
Below you can find a PDF of my presentation. I’ve removed the story slides due to copyright but you can find links to versions of the story read online, as well as to where you can purchase a copy.
At the end there is a link to my Pinterest where I collected together materials for the talk, some of which I didn’t use! You can also access it via this QR code.
http://bit.ly/OjoOso
Perhaps you have ideas that spring to mind? Or you have a book that you could use in a similar way? If you have any comments or questions, do leave a comment below.
Postscript – you can watch the ‘standby/rehearsal’ recording of the session here.
I was overjoyed to be asked to present at the inaugural PHOrum meeting for members of the Association for Language Learning last Wednesday evening (get well soon Susanne x). My presentation was entitled Take One Book and can be viewed below along with links to some of the resources and ideas I shared.
You can find out more about the Take One Book by going to their website. A helpful literacy idea with amazing resources! https://www.takeonebook.org
There are multiple versions of the story being read online in Spanish online – this is one and here’s another one that are read in both Spanish and English, and this one has the bilingual text but just Spanish narration.
Joining in with a story video featuring Nigel Pearson sharing the book in German (Wo ist meine Katze?) https://vimeo.com/123422432 Well worth watching this masterclass in engaging a class in a story! If you want to story as written in the book in German here’s a video of it being read
I love a bargain, and am also a great fan of recycling so I am particularly pleased with a new pile of German children’s books!
Some were purchased via LiPS, one was found in an Oxfam shop in Bath, and the other three were a Christmas gift from my son who is currently studying in Germany and found them in an Oxfam shop there.
So here they are!
Verstecken spielen Lustige Vierbeiner ISBN 978-1-78557-464-1
This lovely book is all about four legged friends playing Hide and Seek (Verstecken spielen) It has a touchy feely cover and features cute dogs a cat and a rabbit. I like the simplicity and repetition of the text as well as the animal noises. A fun book that would be great to read to FKS/KS1.
Ohren wackeln Beine zappeln ISBN 978-3-473-31566-6
Ohren wackeln, Beine zappeln is another cute board book featuring animals. This time it has holes in each page in which you insert your fingers to make the ears (Ohren) or legs (Beine) of the animals. Each page has two lines of text and is written in rhyme – great to read aloud and practice your pronunciation as well as spotting the verbs. And of course, good for finger wiggling!
Baby Goofy geht zu Bett ISBN 3-614-21890-2
This a short board book is from the Disney Babies series and is all about baby Goofy going to bed. It’s written in prose and features Pluto as well as Goofy. Very cute!
Kennst du das? Die Tiere ISBN 3-411-70441-1 Das ABC ISBN 3-411-70631-7
Two books from the same series here! Kennst du das? – Do you know that? Each is a word book with bright photographs to illustrate the meanings. They include ‘usual’ words such as Pferd, Hase, Katze, Tiger and Elephant, but also more unusual animals – Streifenhörnchen, Rotfeuerfisch and Wandelnde Blätter and vocabulary – Zange (pliers) Reißverschluss (zip) and Qualle (jellyfish) It also indulges my love of looking at German words, ‘literally translating’ and seeing language links: Dreirad = three wheels = tricycle Nacktschnecke = naked snail = slug Stinktier = smelly animal = skunk Fledermaus = flying mouse = bat Nashorn = nose horn = rhino Flusspferd = river horse = hippo
Schieben & Lernen 1 2 3 ISBN 978-3-940984-01-2
Finally a board book with sliding windows (Schiebefenster) to learn numbers 1-10. The windows slide to show either the numeral or a number of objects so could be used for numbers and then extended to use the vocabulary pictured, in singular and plural forms. Perhaps older learners could have a look in a dictionary for the words whilst others will begin to recognise the correct item from three after several readings.
PawPatrol Auf die Plätze, Fertig, Rettung! ISBN 978-1-5037-3215-5
I was really surprised to find this book in an Oxfam shop in Bath, and even more surprised when I realised that the buttons still worked! I like reading books based on series that we watch in English as it’s possible to compare names and ket features in the other language. For example, Ryder and Chase have the same names in both languages and the PupPad in German is called the Pfot-o-fon (Paws ‘phone) I’m looking forward to sharing this book with the little ones at school. And I don’t think the enchantment of this book is limited to little ones..
So these are my new German books. What do you think? It’s a bit of a shame that I don’t teach German on a day to day basis but reading them aloud is great fun! A reminder that there is a catalogue of my (ever growing!) collection of German children’s books here, and there is also a French list and several for Spanish – fiction, nonfiction, rhymes poems and songs, plus an ‘other languages‘ list too!
It seems a long time since Language World 2019 (it is three weeks I guess) so I apologise for the delay in uploading my presentation here; I’ve had a few website issues.
However, here it is, and below are some notes that you may find helpful in recalling what I said, or trying to decipher the slides! You’ll also find below Clare Seccombe’s lovely sketchnote of the session which summarises what I said as well!
Pictocuentos Pictotraductor Pictoaplicaciones Unfortunately I haven’t managed to find an equivalent for French or German. WidgetOnline is a subscription website that allows you to make visual stories similar to the Pictoaplicaciones suite but in English, or other languages with an add on pack.
I wanted to share more about using Makaton and to highlight that there are a number of free as well as reasonably priced resource packs that can be downloaded from Makaton.org I got the materials to accompany my retelling of Dear Zoo/ Querido Zoo from there and then translated them/applied them to the Spanish story. And there’s an article on Using Makaton in Storytelling that you might find interesting.
Ten in the Bed songs : In Spanish – Diez en la cama In French – Dix au lit In German – Zehn im Bett Download the Makaton signs here to accompany the story/song And watch the story told in English and Makaton by Rob Delaney below:
Finally, I had a pile of books to share but completely forgot with the pressure of time so here are screenshots from a couple. Firstly, Don Quijote de la Mancha which has the 2 USPs of being an authentic Spanish text, and also being written in Spanish ‘handwriting’, and El Pájaro, el Monoy la Serpiente en la Selva which is a charming story about living and working together.
If you have any comments or questions, please leave them below, or you can contact me via social media!
Lo que Escuchó la Mariquita is the Spanish version of What the Ladybird heard and is a ‘farmyard thriller; a crime set on a farm‘ according to Julia Donaldson, the author. In it, two robbers, Hugo el Zurdo and Len el Largo plot to steal the prize cow from under the farmer’s nose. But they hadn’t reckoned on the very tiny, very quiet ladybird.
All the other animals on the farm are very noisy… ‘pero la mariquita no decía nada de nada.’
One night the ladybird hears the thieves plotting and relays the story to the animals who all make a loud hullabaloo – and then they hear the plan which make use of all their noisiness! Will they outsmart Hugo el Zurdo and Len el Largo? I’ll leave you to find out! It’s a great story and I love the rhyme and rhythm of the text.
How would I use this story? I’d probably read it much the way that Julia Donaldson does in the video below – but in Spanish! The story is a wonderful opportunity to work on animal vocabulary as well as the always popular topic of animal sounds. It always amuses children that animals ‘speak Spanish’ too and make slightly – or sometimes very – different noises in Spanish. You could even sort the sounds into groups according to how similar they are. You could use puppets or masks to involve individuals in retelling the story or even a set of fingerpuppets or finger scribbles for each child to join in physically, or even use actions (my latest obsession with Makaton would come in handy here!) Nonetheless with little preparation of that kind, it’s easy to encourage learners to join in with some noises and sound effects!
Here’s Julia Donaldson reading her story in English with some ideas for how you could use the book with audience participation, using puppets, animal noise prompts and action!
Follow up activities might include vocabulary matching at word level, some simple substitution sentences with animal and sound [La vaca] dice [Muu] or [El perro elegante] dijo [Cuac] or even some simple descriptions La vaca es bonita y premiada. Es blanca y negra con manchas grises. Tiene un cabestro azul y un premio rojo. La vaca dice Muu. Alternatively you could ask comprehension questions with Sí/No Verdad/Mentira responses, or at a higher level, require a response in a phrase or sentence. And finally, how about making a map of the farmyard and giving directions around it in Spanish, or making it into a game and guiding a blindfolded classmate using only animal noises (but don’t try and confuse them like the animals in the book!) There are lots of art ideas that go with this book – you can see one below.
This video shows how one class responded to Lo que escuchó la mariquita at C.E.I.P. Miguel de Cervantes de Navalmanzano Segovia. Loe the idea of making ‘mariquitas’ out of footprints!
Looking for ideas of how to use the book, I found lots of ideas for using the English version What the Ladybird heard. I’ve collected them together on a Pinterest board. It included the video below of Julia Donaldson and her husband singing a song based on the story – anyone fancy writing a Spanish version?
I’ve just got back form London and the Language Show at Kensington Olympia. A lovely couple of days catching up with people, finding out about university courses and qualifications for Stevens Junior, visiting stands and learning from others – and then some more catching up with people!
Below are sketchnotes of the seminars I attended – minus the EU one as I only attended half of it! I was travelling light and using my mini notebook plus a limited palette of black pen and six coloured highlighters so apologies that they are a little more squashed and monotone than normal!
Joe Dale’s session on Using tecnology. Sadly had to leave early as I was in pain! You can access Joe’s whole presentation here
Wendy Adeniji talking Mastery at GCSE.
The Show and Tell was full of great ideas that I quickly tried to note down. Didn’t catch all names I’m afraid! Do tell me and I’ll add them.
The lovely Catherine Cheater sharing about The Primary French Project. A great resource – that’s free! – and a wonderful presentation.
The Primary Show and Tell was also amazing, packed with great ideas about word classification, poetry, story telling, heritage language teaching and facilitating pupil understanding through framing.
Thanks to Russel Tarr for capturing me telling a story!
My session at #PracPed18 was entitled Tell me a story! You can find the Slideshare below.
In it, I shared some ideas about the use of stories and books in the languages classroom. Beginning by discussing why you would use stories, we moved on to choosing books, and then some ideas of how you could use stories in the classroom to enhance language learning. Finally we talked about how to write your own stories; this part was a little shortened so I have added some notes below. You’ll also find links to some helpful posts and bookmarks below. I hope those that attended found the session helpful, and those that didn’t feel able to ask questions! Please feel free to leave a comment on the post if you have questions or comments!
Thanks for your participation and questions. Photo credit – Russel Tarr
Notes:
Slide 18 – I skipped this one in my presentation as time was flying. This week, Merriam Webster shared a “time machine’ dictionary that tells you the words that were put into the dictionary during the year of your birth. I wrote a story using just nouns from my birth year, shared via tweet. This gave me the idea of giving children a list of words and challenging them to write a story with those words. A good way for more advanced pupils to practice verbs. I will share further when I have developed that thought!
Rewriting a familiar story. Photo credit – Russel Tarr
Acronyms:
GPS – grammar punctuation and spelling
PSHE – Personal, Social and Health Education
ICU – Intercultural Understanding
Key Stage 1 – children aged 5-7
Key Stage 2 – children aged 7-11 (languages are a compulsory part of the curriculum in English state schools)
