literacy – Page 4 – ¡Vámonos!
 

Tag: literacy

A day early I know but I figured it would be more useful to tell you about it BEFORE the day so that you might be able to use it ON the day…

Via Twitter, I discovered this lovely activity from OnlineFreeSpanish.com for making Valentine’s Day cards.

I particularly like this resource as it offers lots of choice! You can choose a border, an image and a bilingual message to suit your personality and the recipient. Not all the messages are ‘slushy, lovey-dovey’ ones so it’s quite safe to use with a group of children who might not be into romance. And you can also choose to have the image in colour or leave it black adn white to be coloured in. Additionally, you can choose to print the card as a poster (one loveheart icon), as a sheet of four (four lovehearts) or as a sheet that can be folded to form a proper card (heart on card icon) The only downside is that the inside of the card is only in English 🙁

More Spanish Valentine’s fun here  on Youtube from Babelzone/LCF with a little video and a new take on He loves me, he loves me not!

For more Valentine’s ideas (mostly in French) check out Jo Rhys-Jones’ post on Talkabout Primary MFL.

And why not get adventurous and follow the lead of @wizenedcrone aka Fiona Joyce who had her Y9 learners writing a simple collaborative poem. Following a simple structure

Te quiero como ………… quiere a …………

learners can use dictionaries to suggest nouns to fill the gaps. In the example from Fiona, my favourite line is

‘Te quiero como las abuelas quieren a los crucigramas’

My example –

Te quiero como el mono quiere al plátano.

Te quiero como el pato quiere al agua.

Te quiero como los profes quieren a las vacaciones.

Te quiero como la fresa quiere a la nata.

 

Or you could try it with this pattern

…………. son rojos

…………. es azul

Quiero a ……………

Como quiero a tí

substituting the dots with a plural noun, a singular noun and another noun that you like a lot.

 

My poem might be

Las cerezas son rojas

El cielo es azul

Quiero al chocolate 

Como quiero a ti

 

Great way to start the school year – an inspiring INSET day with not a dress code, health and safety lecture or mission statement in sight.

Alan Peat, addressing the subject Raising writing standards and motitvating reluctant writers was EXCELLENT! He engaged the room all day long; noone was muttering, noone was fidgetting and at the end of the day there was unanimity about the value of the day (rare indeed as every group has at least one or two cynics)

I tweeted all day – here are (most of) my tweets. Unfortunately they start at the end and work back through the day! But I think you can tell my thoughts on the day by the final tweet – which appears first!

And here are my notes – do they make sense? Possibly! I’ll attempt to expand!

Alan Peat  www.alanpeat.com

A blank sheet is scary
Games based approaches are not a waste of time – they are vital.
Bite sized chunks are best and *DBW and decontextualised drilling should be avoided at all costs (* death by worksheet)

Brainbreaks or brain warm ups are anything that has nothing to do with the task – NOT braingym which is a big fib.

Games based approaches
Staircase
Build a chain as a staircase
Lateral thinking – bans the obvious
Across word
Sets of letters – first and last
1 pt for adding one letter; 2pt for 2 etc
*the anecdotal sticks in the mind* makes the less engaging more palatable
Glidogram
1st letter, 2nd letter, 3rd letter, 2nd letter, 1st letter

Aardvark

pArrot

snAke

jAguar

Antelope

rally
Like a staircase but harder! Last 2 letters of the word – you need to think ahead so you don’t break the chain

I found the OULIPO concept by Raymond Queneau fascinating. The idea that constraints are needed for creativity seems very contrary but when you think about it, some constraint actually makes you think! Some examples follow –

lipogram  – ban a letter of the alphabet

eg ban the a in

Humpty Dumpty sat on a wall …. All the King’s horses and all the King’s men

and it beomes ..

Humpty Dumpty perched on the brick constructionEvery one of the King’s horses plus every one of the King’s men.

A book that demonstrates / celebrates? this is Ella minnow pea” by Mark Dunn

Hendecasyllabic
11 syllable sentences

I like sausages becomes I really like juicy, sizzling sausages.  Great for recognising syllables as well as being creative with language. And an activity that could easily be used in language teaching – in Spanish, syllables are different!

Rashomon effect
examples include Akutagawa – At the grove ;  Anthony Browne – Voices in the park;  Hoodwinked

Same story from different perspectives

Beyond acrostics
Where do you go from basic acrostic?
Hidden acrostic– word as 2nd letter
Telestich– word as last letter
Tele-acro – word as start and finish of sentence

(I tried these out on my son when he was bored the other day – he loved the challenge!)

Genre modification
See below.

I loved this idea as it is very supportive, is a useful ‘working wall’ with context, and also because it provides assessment at start and finish without fuss!

Wordless storybooks

I loved this too as one of my favourite actvities as a kid was making up stories about what’s happening in a picture – in fact, i loved the bit of my Spanish exam. where I had to do that!

Monosyllabic – rewrite texts in monosyllables – it’s very tricky. We tried with Little Red Riding Hood. Again, constraint lead to creative thinking as we thought of ways to avoid syllables!

Yoked sentences – last word of first sentence starts second sentence then last of second the third etc A good tool for persuasive writing.

One word at a time storytelling

Like storytelling ping pong! Yout hink you know where the story is going then your partner throws in an unexpected word and you need to rethink! Makes you listen! http://www.alanpeat.com/resources/listening.html

Plot skeleton – using one skeleton ie the bare bones of the story, and adapt for another genre – genius!

If you Google Citation of a phrase / word, it gives usage and when first used v useful!

7 key pedagogical approaches which underpin effective teaching of non-fiction writing
1.linked to real experience GGM – growing going and making
2.fictionalise it
3.link to books being read in class
4.link to pupils’ interests – know your pupils
5. Use talk/oracy as start
6.maximise cross-curricular links
7.ensure breadth of real purposes and audiences

A quotation I loved from the day was

“to be creative you need a body of knowledge to accept modify and reject”

I (sadly) got over excited with the quotation and didn’t note down who said it :o(

And also sadly, at this point I became so engrossed in the course that I stopped taking notes digitally and started scribbling!

However, one thing I’ll share is that the nailing down of level appropriate prompts for genre types was a very valuable activity – a good point that learners shouldn’t have to relearn the structure of genres according to their teacher’s way of putting it – why not have a common lexis?

Another thing I thought was great – and would again be easily used for language learning, is the sentence structuring activity Alan described for use with those who aren’t yet reading.

You pick a card from each envelope to ‘write’ phrases – and then sentences.

And another activity I loved was based on The Ultimate Alphabet by Mike Wilks.

Look at the image below. It is the B page. How many things beginning with B can you find? My partner and I got 70 in our 3 minutes.

And finally – it wouldn’t be at all like me if I didn’t mention technology of some kind – and Alan was on my page. He mentioned Twitter – and made me blush by mentioning that i followed him and had loads of followers! And Wordle – www.wordle.com – so excited when staff around me said ‘Oh, you showed us that Lisa!’ – hurrah, I’m not a freak now! E-pals – www.epals.com was another recommendation – look for classes around the world studying the same things as you and share your learning. Alan also advocated using Skype – tick!  And then a new one on me – Padworx. Checking that out now!

To summarise my thoughts – I thoroughly enjoyed the day because it challenged, encouraged, inspired and confirmed. Alan obviously believes passionately in learning being an enjoyable activity and that that is the best way of getting the best out of learners. I admire the fact he is inspired by and champions ‘normal’ teachers who are in the classroom, and that he is obviously an practical educator at heart rather than a theorist. I loved the fact that so many of the ideas were so easily transferred to learning languages. And he loves his iPad too so must be a good bloke ;o)

Find out more at www.alanpeat.com or follow @alanpeat on Twitter.

Another of the poems suggested by Joaquín Moreno in his presentation about poetry in Spanish teaching and learning was Nanas de la cebolla by Miguel Hernández.

He played us the poem sung by Joan Manuel Serrat – here it is below, along with a perfomance of it in spoken form and also the words.

Spoken version

httpv://youtu.be/ktZEWJAoai0

Nanas de la cebolla

La cebolla es escarcha
cerrada y pobre:
escarcha de tus días
y de mis noches.
Hambre y cebolla:
hielo negro y escarcha
grande y redonda.

En la cuna del hambre
mi niño estaba.
Con sangre de cebolla
se amamantaba.
Pero tu sangre,
escarchada de azúcar,
cebolla y hambre.

Una mujer morena,
resuelta en luna,
se derrama hilo a hilo
sobre la cuna.
Ríete, niño,
que te tragas la luna
cuando es preciso.

Alondra de mi casa,
ríete mucho.
Es tu risa en los ojos
la luz del mundo.
Ríete tanto
que en el alma al oírte,
bata el espacio.

Tu risa me hace libre,
me pone alas.
Soledades me quita,
cárcel me arranca.
Boca que vuela,
corazón que en tus labios
relampaguea.

Es tu risa la espada
más victoriosa.
Vencedor de las flores
y las alondras.
Rival del sol.
Porvenir de mis huesos
y de mi amor.

La carne aleteante,
súbito el párpado,
el vivir como nunca
coloreado.
¡Cuánto jilguero
se remonta, aletea,
desde tu cuerpo!

Desperté de ser niño.
Nunca despiertes.
Triste llevo la boca.
Ríete siempre.
Siempre en la cuna,
defendiendo la risa
pluma por pluma.

Ser de vuelo tan alto,
tan extendido,
que tu carne parece
cielo cernido.
¡Si yo pudiera
remontarme al origen
de tu carrera!

Al octavo mes ríes
con cinco azahares.
Con cinco diminutas
ferocidades.
Con cinco dientes
como cinco jazmines
adolescentes.

Frontera de los besos
serán mañana,
cuando en la dentadura
sientas un arma.
Sientas un fuego
correr dientes abajo
buscando el centro.

Vuela niño en la doble
luna del pecho.
Él, triste de cebolla.
Tú, satisfecho.
No te derrumbes.
No sepas lo que pasa
ni lo que ocurre.

 

Doña Pito Piturra

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Ages ago I bought a book of little plays and poems by Gloria Fuertes, and have to admit that I haven’t looked at it much since I bought it. However, I was reminded of it on Thursday at the ALL NorthEast Spanish day in Gosforth when Joaquín Moreno was talking about using poetry in teaching Spanish.

He mentioned using a particular poem by Gloria Fuertes to read aloud and act out in order to practice getting English mouths around Spanish sounds – in this case, ‘rr’ is particularly practiced.

The suggestion was to chorally repeat the odd numbered, repeated  line “Doña Pito Piturra” and for volunteers to read the even, varied line, with feeling and an action to accompany it.

A very simple idea that I shall be using in my classroom soon!

Below is the poem, and also a video of the poem being recited plus two versions, as a song!

DOÑA PITO PITURRA

Doña Pito Piturra
Tiene unos guantes,
Doña Pito Piturra
Muy elegantes.

Doña Pito Piturra
Tiene un sombrero,
Doña Pito Piturra
Con un plumero.

Doña Pito Piturra
Tiene un zapato,
Doña Pito Piturra
Le viene ancho.

Doña Pito Piturra
Tiene toquillas,
Doña Pito Piturra
Con tres polillas.

Doña Pito Piturra
Tiene unos guantes,
Doña Pito Piturra
Le están muy grandes.

Doña Pito Piturra
Tiene unos guantes,
Doña Pito Piturra
¡lo he dicho antes!

The narrative approach to language learning in KS2 and KS3

Jo Cole

Jane Humphris

Linked Up project – to develop pupils’ linguistic independence and confidence in speaking, based on immersing kids in language

Aims of project

  • to enable project work to be firmly embedded in classroom realities
  • to build on partners strengths and enthusiasms to address identified needs
  • to build capacity in partner schools and the wider school community

The process 

  • tell the story
  • imitation stage
  • role of the teacher
  • whole class / group / paired retelling
  • moving onto innovation stage
  • see the text
  • move to invention (re writing the stories)

Things to note 

Pupils could lead activities – it wasn’t scary for them – they like the variety and also the opportunity to lead.

A resource bank was made with reference to grammatical structures.

By working with oral approach, reading aloud improved as confidence with sounds

At no stage does teacher say what it means – use the storymap to decode – partial competence

For more details see

www.ilrc.org.uk

http://www.linksintolanguages.ac.uk/resources/2547

 

 

The last video has a footballer reading 2 non-fiction books about animals – always a popular subject in primary schools.

The first links into geography, culture and the environment; life cycles – who eats who – and habitats – who lives where.

Here’s a link to the West Sussex Grid where there are some resources linked to habitat. And some animal / habitat flashcards.

The second is about elks – venados – and how they live. Really interesting!

httpv://www.youtube.com/watch?v=cE_AtnV0Cjo

 

The third video is a non fiction book called Ser respetuoso. I think this would be a great way to start a PSHE session on respect – how do you recall eople showing respect in the story? The discussion doesn’t have to be in Spanish – but why not use the Spanish story as the stimulus?  That’s a good way of  integrating language  into the curriculum.

httpv://www.youtube.com/watch?v=bSyODK6P1rs

 

The second video I’d like to share –

A story about a girl called Maria finding some lines on the ground at the base of a mountain in Peru opens up the possibility of looking at the history of a Spanish speaking country, the culture and heritage, and the art of that area. Here’s some background information that might help!

I think it’s be a brilliant way of integrating lots of different areas of the curriculum – what about making your own Nazca lines on the school field?

Nazca lines

Nazca Lines and Cahuachi culture

Nazca lines facts

httpv://www.youtube.com/watch?v=1PMPsqBAMfw]

Just discovered this ‘channel’ on Youtube – coloradolibraries. It’s the site of Colorado State Libraries and features several clips of people reading stories.

A Colorado Storytime includes read-alouds of childrens books along with literacy tips. It includes different types of short books, in English and Spanish, with colorful pictures, related in some way to Colorado through publisher, author, illustrator or theme, and read by Colorado personalities.

Over the next 4 posts I’ll be sharing some Spanish ones and making the odd suggestion about how they might be used.

The first is a story about Cucumber soup – Sopa de pepino – a great story about working together (think The enormous turnip) featuring minibeasts!

Linda Owen has some lovely ideas about using minbeasts in primary languages and here are some resources (in French I think but they could be adapted!)  and there’s a wonderful song about a labybird on this page (scroll down the page)

httpv://www.youtube.com/watch?v=uRRWnRO7dm0

 

 

It seems that some people are just incapable of getting *completely* into holiday mode and just can’t stop themselves from working!

Jo Rhys Jones is one of these mad people and over the last week or so she’s been populating her wonderful Talkabout Primary MFL NING with resources that she’s developed for a project to celebrate National Children’s Book Week.

So far she’s shared resources for the books

Bon appetit Monsieur Lapin

Je m’habille et je te croque…!

Je ne veux pas aller au lit

La gallina hambrienta

Lots of stuff there that can be used straight away or translated into Spanish, French, German or whatever other language you fancy.  You can also take the ideas and use in English literacy.

I like Jo’s idea that this type of thing can be used as a transition project with KS3 working on materials to present to KS2 and KS1.

Feel free to add to Jo’s ideas – I know she’d be really pleased if you did – and share them back again.

And if you’re involved in ANY way in language learning with primary aged kids and aren’t a member of Talkabout Primary MFL, make sure you join.  You’re missing out on so much!!

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